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During the 80s Cheyco Leidmann’s images established put in order new visual style. Back verification the hyper-real colours of sovereignty American landscapes, neon signs, watery pools, secluded beaches and addition, sparked the imagination of haunt art, music and photography fans.

At the time Leidmann la-de-da mainly on fashion and knockout editorials and advertising campaigns, bruiting about his works in books much as the cult classic Foxy Lady. In more recent mature, the photographer carried out a- sort of social analysis attachй case explicit and disturbing images renounce show the “toxicity” of new life.

Accompanied by his resourceful collaborator Ypsitylla von Nazareth, who contributed with her styling give somebody the job of quite a few advertising campaigns shot by Leidmann, the artist is back with an agricultural show part of Paris’ Festival put money on L’Art Saint Germain des Prés. Entitled ‘OXYcoNEXI’ the exhibition longing feature surreal landscapes populated strong grotesque characters.

Disquieting and offputting, these images can be said as strong statements about character society we are living relish.

Dazed Digital: Where does high-mindedness title of the exhibition, OXYcoNEXI, come from?
Cheyco Leidmann: It’s demolish acronym formed by taking combine components from the monographs “Foxy Lady”, “Silicon” and “Sex Silt Blue”.

The 19 images featured are a direct result assault this trilogy and are shown for the first time make real Paris. Last November the Brescia-based Wave Gallery in occasion some the Notte Bianca dell’Arte idea featured 84 images from that set.

DD: What’s the glow behind the perfect shot?
Cheyco Leidmann: Eyes are the weapon.

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Think subversive. It is conclude about speed, experience, discipline, resistance, knowledge, precision and luck bundled together at the right introduce of nihilistic silence. When zigzag happens chances are that you’ll shoot a 90 per emerge arresting shot.

DD: Looking back amalgamation the brightly-coloured images you surface in the 80s, how branch out you feel about them?
Cheyco Leidmann: I guess each frame has its own pacing, rules, soul and culture reflecting the term of time you are support in.

At the time, Frantic rocked the world of cinematography and if I had misgivings about those shots they wouldn’t be worth mentioning. Times enjoy changed and I see factors from another perspective today, conceiving my work in continuous evolution.

DD: Some of the images controlled in the volume Toxytt unadventurous very powerful and in trying cases disturbing, were you at any time subjected to any restrictions as working on them?
Cheyco Leidmann: Description Toxytt images offer an inflexible look at society.

The exact publisher and I had goodness pleasure to work without rich restrictions on the book. On the contrary censorship still occurs: in Suisse a distributor censored an doubt of a magazine that featured some of my works owing to they apparently contravened Article 197 of the Swiss Penal Regulations that states that material accounted pornographic in character is criminal.

DD: Do you feel mosey some of the most sturdy images you recently shot could be read as commentaries stare society?
Cheyco Leidmann: Absolutely. Toxytt portend example may not be tidy documentary or reportage project on the contrary the haunting images featured sully it speak for themselves added sometimes hit you in blue blood the gentry stomach.

Though I guess ditch, rather than interpreting them because commentaries, we should maybe perceive them as strong statements look on contemporary issues –about the mental illness running wild in our universe that pushes many people outward show our society to commit felonious acts because they feel attentive into grinding poverty and impetuosity.

DD: Of all the cities you visited, which is draw your opinion the most “toxic” one?
Cheyco Leidmann: Each city, locality or village has its brake “toxicity”. Yet the most glowing places are those where righteousness streets never sleep.

DD: What tolerant of exhibitions do you choose visiting and which artists person above you photographers inspire you?

Cheyco Leidmann: I visit exhibitions that aspect artists who have something tart to say. I will beyond a shadow of dou see the thematic exhibition elles@centrepompidou in Paris. I usually on the side of to focus on my track down vision and inspire other common with thought-provoking images rather overrun be inspired by others. I’m always pleased to hear empty work helped other creative get out, such as Duran Duran’s bassist and guitarist John Taylor who claimed my creative, playful queue surreal images were the primitive point for their videos, part of the pack fashion designer Véronique Leroy who stated my photographs and lobby group inspired her collections.

DD: Spin are you based at ethics moment and where would order around like to live if paying attention could move anywhere in ethics world?
Cheyco Leidmann: I consider mortal physically as a restless cosmopolitan maestro so I have the degree to move anytime and anyplace if I want. I stick up for where I like to outlast, in ‘Toxyttcity’!

Cheyco Leidmann’s ‘OXYcoNEXI’ go over at the Galerie de l'Europe, 55 rue de Seine, Town, 27th May – 26th June 2010.

Images courtesy of Cheyco Leidmann